Showing posts with label alfa records. Show all posts
Showing posts with label alfa records. Show all posts

Thursday, October 28, 2010

P-Model - One Pattern LP (Alfa, 1986)

Tracklisting

Side A
Oh Mama!
Licorice Leaf
Astro Notes
Möbius Band
Drums

Side B
Zebra
Oyasumi Dog
Another Day
Harmonium
Sunpaleets

Here's P-Model's nearly-as-good follow-up to Karkador and their final album before going on a 6-year hiatus. Some really wonderful, spastic technopop production going on here, especially on tracks like Licorice Leaf and Oyasumi Dog. Those of you who are anime fans might recognize some of the melodies from Zebra, which is practically a blueprint for singer Hirasawa's later work for Satoshi Kon's Paranoia Agent series.

Monday, October 25, 2010

P-Model - Karkador LP (Alfa, 1985)

Tracklisting

Side A
Karkador
On the Organ-Yama
Dance Subomp
Cyborg
1778-1985

Side B
Leak
Oar
Hourglass
Piper
Karcador

7th album from this long-running and much revered new-wave group. This one really grew on me after first being disappointed with how normal it seemed next to the zolo oddity of Perspective or the Devo-ish doink of their first two outings. Smart, sophisticated songwriting prevailed, and now I consider this to be one of the high-points in the P-Model discography. Cyborg and Piper are gems among gems...

Tuesday, October 12, 2010

The Return of Video Game Music LP (Alfa, 1985)

Tracklisting

Side A
Fanfare From Pole Position II
Grobda
Dig Dug II
Dragon Buster
Metro Cross (Part I)
Gaplus
The Tower of Druaga

Side B
Mood Organ #27
Meta Magic Game
Merry Goes Around (Dedicated to Mariko Kunimoto)
Standard Theme
Mechanism of Vision
Metro Cross (Part II)

This LP is the sequel to the "Video Game Music" album arranged by Haruomi Hosono of YMO. This time around, arrangement duties fall in the hands of Koji Ueno of Guernica fame, who does a pretty alright job. It can't be a simple, really, as most of these early arcade compositions were meant to be looped indefinitely until the player succeeds or loses, cueing another soundbite. Ueno (and Hosono before him) don't ignore that fact, and admirably present the music in all its incessant glory, with in-game sound effects, chance deaths, and subsequent victories disrupting any sort of logical song-structure. This sort of video game music is actually pretty bizarre taken out of context...
Side B get's a bit bogged down with some original (non-video game) compositions, but the wacky "Meta Magic Game" is a highlight.